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Pissarro$506732$ - ترجمة إلى إنجليزي

DANISH-FRENCH PAINTER
Camille Pissaro; Camille Jacob Pissarro; Pissarro; Camille pisarro; Ludovic Rodo Pissarro; Jacob Abraham Camille Pissarro; Camille Pisarro; Camile Pissaro; Le Quai Malaquais et l'Institut
  • ''Bath Road, Chiswick'', 1897. [[Ashmolean Museum]], Oxford.
  • Camille Pissarro and his wife, Julie Vellay, 1877, [[Pontoise]]
  • '' Orchard in Bloom, [[Louveciennes]]'', 1872
  • Camille Pissarro, c. 1900
  • ''Le grand noyer à l'Hermitage'', 1875. The new manner of painting was too sketchy and looked incomplete.
  • ''La Récolte des Foins, Eragny'', 1887
  • Galería de Arte Nacional, Caracas]]
  • ''[[Rue Saint-Honoré, dans l'après-midi. Effet de pluie]]'', 1897, [[Museo Thyssen-Bornemisza]].
  • ''[[Self-portrait]]'', 1903. [[Tate Gallery]], London
  • ''The Artist's Palette with a Landscape'' c. 1878. [[Clark Art Institute]]
  • Montfoucault]]'', 1879
  • Voisins]]'', 1872. [[Musée d'Orsay]], Paris.
  • ''Landscape at [[Pontoise]]'', 1874
  • ''Jalais Hill, Pontoise'', 1867. [[Metropolitan Museum of Art]]
  • ''Two Young Peasant Women'', 1891–92. [[Metropolitan Museum of Art]]
  • St. Thomas]], 1856
  • ''Enfant tétant sa mère'', drypoint and aquatint, 1882, 123 mm x 112 mm. [[British Museum]]
  • ''[[Hay Harvest at Éragny]]'', 1901. [[National Gallery of Canada]], Ottawa
  • ''[[Pont Boieldieu in Rouen, Rainy Weather]]'', 1896. [[Art Gallery of Ontario]]
  • title= Road to Versailles}}</ref> [[Walters Art Museum]].

Pissarro      
n. familienaam, Pissarro; Pissarro, Camille Jacob (1830-1903), Franse impressionistische schilder, vriend en leraar van Paul Gaugin en Paul Cezanne, schepper van "Bather in the Woods"

ويكيبيديا

Camille Pissarro

Jacob Abraham Camille Pissarro ( piss-AR-oh, French: [kamij pisaʁo]; 10 July 1830 – 13 November 1903) was a Danish-French Impressionist and Neo-Impressionist painter born on the island of St Thomas (now in the US Virgin Islands, but then in the Danish West Indies). His importance resides in his contributions to both Impressionism and Post-Impressionism. Pissarro studied from great forerunners, including Gustave Courbet and Jean-Baptiste-Camille Corot. He later studied and worked alongside Georges Seurat and Paul Signac when he took on the Neo-Impressionist style at the age of 54.

In 1873 he helped establish a collective society of fifteen aspiring artists, becoming the "pivotal" figure in holding the group together and encouraging the other members. Art historian John Rewald called Pissarro the "dean of the Impressionist painters", not only because he was the oldest of the group, but also "by virtue of his wisdom and his balanced, kind, and warmhearted personality". Paul Cézanne said "he was a father for me. A man to consult and a little like the good Lord", and he was also one of Paul Gauguin's masters. Pierre-Auguste Renoir referred to his work as "revolutionary", through his artistic portrayals of the "common man", as Pissarro insisted on painting individuals in natural settings without "artifice or grandeur".

Pissarro is the only artist to have shown his work at all eight Paris Impressionist exhibitions, from 1874 to 1886. He "acted as a father figure not only to the Impressionists" but to all four of the major Post-Impressionists, Cézanne, Seurat, Gauguin, and van Gogh.